That said, understanding the premise is a necessary but insufficient criteria. It makes no difference if others like the show.
Like, tons of people loved Eternal Sunshine of the Spotless Mind and I understood that premise just fine.
But I hated both the premise and literally Every.Single.Character in the movie. I couldnât finish the movie because it was becoming increasingly apparent that it wasnât going to end with firing every last character into the sun⌠which would have been the only satisfying conclusion.
On the other hand, the premise of The Parent Trap is really quite horrible, if you think about it. Yet somehow both the original and (to a lesser extent) the remake are both delightful.
So I think I might have been able to get past the awful premise in ESOTSM if there was anything else redeeming about the movie, but there wasnât, so I didnât.
But I donât even understand what it means to âown a townâ.
At least in the US, I think itâs as far fetched as it sounds. You literally buy everything, I suppose similar to Walt Disney. I think when people have actually done this itâs to convert a bunch of empty space into some tourist attraction, rather than owning everyoneâs house and them paying you rent like a Queen or something.
Because the story is about family, at its barest, and having them remain rich and detached from each other would not create the kind of environment necessary to understand how family is everything, and even rich and dysfunctional families love each other, in their own way.
I do agree with them that if owning a town is literally an infeasible practice, they shouldâve thought about it more clearly when they wrote the plot. It seems like an obvious question someone would ask, regardless of how sloppy the writing is.
Why they canât just kick people out of their house is a very natural question that comes to mind, imo. They could easily make it so that they own the land of the town, for instance.
The thing about bad writing is not that it makes or breaks a show, but that itâs constantly in the background of your head haunting you so that you canât really enjoy the show.
So, Iâve seen the first several episodes. And the important premise is that a filthy rich family lost almost everything and has to live in an okay-but-cramped home and has to depend on people they think of as their inferiors.
The details of ownership, etc., are not the point, and arenât really important to understanding or appreciating the show.
Also, this is a character-driven show, not a plot-driven show.
The hard part for me was that i didnât like the characters. But they do grow. And some of the secondary characters are very appealing, too.
Iâd agree with you if they didnât spend the second half of the first season trying to cash out on the town they own. Itâs not just a trivial point.
Yeah I got this was the writersâ intention. It just kind of felt like what a lower income person imagines a crazy rich person does, buys a whole town. Sort of like DJT having a gold toilet (who would actually want that?). Thus itâs a mental irk, not necessarily disqualifying if its otherwise funny though. Been bingeing The Office while itâs still on Netflix then will give this show a shot.
Anyway, i assume they canât just kick someone out of a nicer house because people have leases. But i havenât gotten far enough into the show to know.